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Henri Martin: A Harmony of Symbolism and Nature

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18 Marquayrol, sous la treille, travaux de couture abandonés, c.1920 Signed lower left 'Henri Martin' Oil on canvas 32 1/2 x 31 1/2 in, 82.6 x 80.0 cm P R O V E N A N C E Findlay Galleries, Inc., New York Collection of Mr. and Mrs. John R. McFarlin, San Antonio, Texas Thence by descent Private Collection, London L I T E R AT U R E This work is accompanied by a photo certificate issued by Cyrille Martin and dated 23rd January 2014 Martin and his wife, Marie-Charlotte, cultivated a beautiful Italianate garden in the grounds of their villa, Marquayrol, in Labastide-du-Vert. Within his extensive gardens Martin painted motifs that occur repeatedly in his work: the pools, the terrace, the pots of geraniums and the gate. In this painting he has focused on the columns of the smaller of two arbors, la treille, which stood on the garden terrace covered in vine leaves. As the title describes, Marquayrol, sous la treille, travaux de couture abandonés depicts sewing abandoned on an empty chair. This seemingly mundane task is transformed by Martin into a celebration of the tranquillity of everyday life. The painting is also a testament to how architecture works alongside nature in his carefully designed, yet free, garden. Using his considerable skills as a draftsman, Martin often contrasted geometric architectural shapes with the organic forms of nature. The classical lines of the pillars, chair and round table below are cleverly juxtaposed with the surrounding flowers, abundant greenery and vines. Just as the chair and grass seemingly become one, the trellises are engulfed by branches, creating a harmonious space for man and nature.

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