Northshore Home magazine highlights the best in architectural design, new construction and renovations, interiors, and landscape design.
Issue link: http://read.uberflip.com/i/1101832
80 owner's much more modern sensibilities along the way. "With two little twin boys and her husband, she wanted a little femininity around her, a little glam- our," Daher explains. The kitchen was standard for a 1980s Colonial: upper and lower cabinets running along two walls in an L-shape. At the end of the long, narrow space was a kitchen table and one French door leading to the back porch. "She needed a much more functional arrange- ment with an island," explains Daher. "To achieve this, we flipped the entire room, swapping the dining and cooking ends." To reconfigure the kitchen triangle, Daher and Mark Bunker of Bunker Building stole two feet from the adjoining dining room. They also swapped the French door for a window, now part of the backsplash wall. "That was the most difficult part of the renova- tion," explains Daher, "working with a structural en- gineer to take out the wall between the dining room and kitchen and put cabinetry there instead. Now there's a structural beam above that wall of cabinets and fridge; we wrapped it in cabinet material and added pin lights underneath." The finished kitchen is a study in contemporary glam. Its stained rift-cut white oak cabinets, quartzite countertops, and crackled backsplash tiles ("They're Top: Sculptural barstools from Janus et Cie and an aubergine vent hood make the kitchen feel fun and cool. Opposite, clockwise from top left: A barn door with concentric trim separates the master bedroom and bath. Details like the cerused oak chest, Art Deco- inspired occasion chair, and Jonathan Browning chandelier communicate soft- spoken glam in the master bedroom. Daher flip-flopped the bathroom and closet rebuilding both spaces from scratch and achieving a visually cohesive suite. gray with a hint of lavender," says Daher) form a cooperative sea of bright neutrals. Since the client loves color, Daher opted for a deep aubergine vent hood, custom painted at an auto body repair shop. Discovered at Janus et Cie, the barstools are sculptural and interesting, yet light enough for the boys to move around and easy to clean. Daher's color pops continue in the new dining area, where fuchsia, lime green, orange, and purple feature in the floating banquette's ikat fabric. Custom built by Beaulieu Cabinetry of New Hampshire (who also crafted the kitchen cabinets), the banquette features easy-push drawers for storage beneath. A whimsical art print of swirling candy and custom dining chairs— with aubergine-painted legs and fuchsia seat linings— continue the color play. "The bright accents work because the room's envelope is quiet," she explains. In the old dining room, nestled on the other side of the kitchen's long cabinet run, is a chic built-in bar. Its Macassar ebony cabinets and bronze mirror back- splash veer toward an art deco look, while its strategic position allows for easy access while entertaining. Daher rounded out the first floor's remodel by improving the functional spaces off the garage. A three-season porch is now a fully functioning mud- room, complete with storage cabinets, built-in bench, shiplap walls, a statement Janus et Cie chair, and fuchsia accents. The side entry also gained a custom waterfall credenza. "Its ebony drawers match the bar, and we chose durable orange faux leather with stud- ding for the cubes," says Daher. "It's the perfect spot for a purse and keys." Upstairs, the designer focused on reorganizing the master suite, which suffered from an awkward ar- rangement of bedroom and bath separated by walk-in closets. "The spaces were small and cut up," explain Daher, who swapped the bathroom and closet posi- tions and rebuilt both spaces from scratch. The bedroom stayed as is, although Daher re- worked its details. She placed the bed in front of the windows and lined the cathedral ceiling with trim to draw the eye upward. "We kept the envelope of the room calm. What amps up the suite are the gold ac- cents in the chandelier, the pillow, the throw; there's even brass detailing every couple of feet in the tiled bathroom floor," she notes. "If you remove the gold, the suite is very tranquil, but we had to have a little charisma in there." From candy prints to orange leather to golden lampshades, this makeover has it all: color, texture, dazzle, sheen, and shine. Collaborating with such an open-minded client was, for Daher, the best part. "It was a lot of fun," she relates. "It was a blast." For Resources, see page 106.