Issue link: http://read.uberflip.com/i/130999
Orange and White, 1960 Oil on canvas Signed and dated vero `W.SCOTT 60' and signed on the stretcher 160 x 173 cm; 63 x 68 in Provenance: Hanover Gallery, London Esther Robles Gallery, Los Angeles Waddington Galleries, London David Stamler Private collection, Paris Paul Rice, London Gimpel Fils, London Private collection, USA Exhibitions: Esther Robles Gallery, Los Angeles, William Scott, January 1961, no. 19 Tate Gallery, London, British Painting in the Sixties, 1–30 June 1963, no. 96, illustrated in black-and-white Kunsthalle, Bern, Victor Pasmore, William Scott, 12 July–18 August 1963, no. 28, illustrated in colour Ulster Museum, Belfast, William Scott, 12 September–5 October 1963, no. 34 Museum Fridericianum, Kassel, Documenta III, 27 June–5 October 1964, listed as no. 4 of the five works by William Scott, illustrated in black-and-white Tate Gallery, London, William Scott: Paintings Drawings and Gouaches 1938–1971, 19 April–29 May 1972, no. 65, illustrated in black-and-white Fine Art Society, London, Twenty-Four Works from the Twentieth Century, August 2011, no. 22, illustrated in colour Literature: Harald Szeemann (introduction), Victor Pasmore, William Scott, exh. cat., Kunsthalle, Bern, 1963, n.p., illustrated in colour (first illustration) Alan Bowness, William Scott: Paintings, Lund Humphries, London, 1964, p. 40, no. 150, illustrated in colour (on the dust jacket) John Russell, 'London/NYC: The Two-Way Traffic', Art in America, April 1965, p. 126, illustrated William Scott Catalogue Raisonné of Oil Paintings, 2013, edited by Sarah Whitfield: No.453 Volume 3 28