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Modern and Contemporary Prints

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24 In Full Cry, 1931 Linocut printed from 3 blocks in Chinese orange, spectrum red and Prussian blue Signed, titled and numbered in pencil from the edition of 50 29 x 42 cm (11 3/8 x 16 ½ in) Provenance: Michael Parkin FA, London Private Collection, UK Sally Hunter FA, UK Osborne Samuel, London Literature: Stephen Coppel, Linocuts of the Machine Age, Scolar Press, Aldershot in association with National Gallery of Australia, 1995, Cat No SA 13 Sybil Andrews Linocuts: A Complete Catalogue, Hana Leaper, published by Lund Humphries in association with Osborne Samuel, 2015, no. 15 £ 35,000 / $ 49,000 I Grosvenor School of Modern Art

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