Issue link: http://read.uberflip.com/i/280786
EXHIBITON CATALOGUE PRICE £15.00 (incl. postage & packing) To purchase a copy of this catalogue ahead of the exhibition, please email clough.vaughan@gmail.com Prunella Clough & Keith Vaughan: Visions and Recollections by Gerard Hastings, (Pagham Press, 2014). 116 pp, 193 ills., 297mm x 210mm, paperback. Preface by Frances Spalding, personal recollections from friends of Clough and Vaughan, essay by Gerard Hastings exploring the artists' relationship, extracts from Vaughan's journals, extracts from Clough's diaries and journals and a previously unpublished interview (1982) with Clough. The following titles will also be on sale during the exhibition: Keith Vaughan by Philip Vann & Gerard Hastings, (Lund Humphries, 2012). Price £40.00, 84 pp, 196 ills., 270mm x 228mm, hardback. Vann provides a definitive account of Vaughan's life and work exploring his wide-ranging achievement as a modern British artist. Preface by Sir Nicholas Goodison. The text interweaves art and biographical exploration to reveal a figure for whom art was inseparable from the nature of its creator. Essay on Vaughan's gouache technique by Gerard Hastings. Prunella Clough: Regions Unmapped by Frances Spalding, (Lund Humphries, 2012). Price £40.00, 240 pp, 140 ills., 260mm x 220mm, hardback. Spalding celebrates Clough's outstanding contribution to British Art, providing, for the first time, a comprehensive overview of her entire career. The author also explores the key themes and inspirations that informed Clough's work. This study is based on previously unpublished letters and notebooks. Keith Vaughan: The Photographs by Gerard Hastings (Pagham Press, 2013). Price £25.00, 162 pp, 200 ills., 250mm x 90mm, paperback. This is the first book to explore Vaughan's photographic work. Drawing on recently discovered archives, private collections, rare negatives and unseen documentation, Hastings presents Vaughan's photographs of his lovers, models, landscapes, portraits and of still life and ballets subjects, domestic scenes as well as images from the artist's travels in North Africa and Greece during the 1960s. Known primarily as a painter, Vaughan was also a photographer of considerable merit and his images witness enormous social changes and shifts in attitudes. Drawing to a Close: The Final Journals of Keith Vaughan, by Gerard Hastings (Pagham Press, 2012). Price £29.95, 200 pp, 97 ills., 246mm x 189mm, hardback. 'Observations of a considerable painter dying of cancer over two years. Revealing and melancholy. Cool and, to me, cruelly nostalgic'. Brian Sewell's 'Art Book of the Year,' Evening Standard, November, 2012. 'Drawing to a Close provided the year's most compelling but harrowing read. Vaughan was a fine painter and, moreover, one who wrote very well. These jornals have never been published in their entirety but now we can register the full extent of V's eloquent 'taedium vitae' as he contemplates and then commits suicide. He was writing his journal until the very moment he lost consciousness and the pen fell from his hand. Hastings's superb editing and shrewd commentary flesh out Vaughan's life and his circle with knowing detail. Vaughan's sober musings on life, love, sex, art, ill-health and death, reveal with intimate unflinching candour the inner- most thoughts of this tormented, complicated, deeply intelligent man.' William Boyd, Times Literary Supplement, November 2012. Visions & Recollections Prunella Clough & Keith Vaughan