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Abstracting From Nature

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24 Gaillarde, 2011 Black marble from Belgium (pedestal in green granite) 27 x 9 7 / 8 x 9 7 / 8 in, 68.5 x 25 x 25 cm Pedestal 4 x 10 5 / 8 in, 10 x 27 cm Unique ANTOINE PONCET B.1928 Antoine Poncet, son of artist Marcelle Poncet and grandson of Symbolist painter Maurice Denis, forged his own artistic identity as a sculptor under the instruction of Germaine Richier in Zurich and his godfather Casimir Reymond in Lausanne. Establishing his studio in Paris in 1945, Poncet's meeting with Jean Arp in 1951 proved to be the most decisive influence upon the development of his harmonious abstract forms. Arp convinced Poncet to abandon figurative representation in favour of the poetic essence of form. With this liberation from narrative, Arp praised his work saying, 'Nothing is as close to nature as a sculpture by Poncet'. Gaillarde encapsulates the fascinating dialectic in Poncet's work between the animated living form and the void. Playing with the resonance of closed and open spaces, Poncet allows his porous sculptures to be articulated by gaping holes and relishes the suggestion of transitory fluid material. The alchemy of these tremulous forms alludes not only to Poncet's interest in the natural world, but also to the spiritual depths of abstraction. Indeed Poncet argues that, 'all is movement in nature, in life'. Antoine Poncet was awarded the Federal Sculpture Prize, Switzerland in 1955, represented Switzerland at the Venice Biennale in 1956 and held his first solo exhibition in Paris at the Galerie Iris Clert in 1959. He was awarded the Henry Moore Prize in Japan in 1983. Poncet's work can be found in public collections, including the Musée National d'Art Moderne Paris; Galeria d'Arte Moderna, Milan; Museum of Modern Art, New York; Museum of Fine Art, Minneapolis; Art Institute of Chicago, Chicago; and Open Air Museum, Hakone.

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