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The More, the Merrier ^ Prices are subject to change. * The 5% EZ Group setup fee will not exceed $100, and is refunded when the minimum number of group tickets have been sold. ** The 50% non-refundable down payment is due at time of booking Above: Photo © Nikki Ritcher ‡ Salome and Frankenstein include mature themes and subject matter and are not recommended for children under 12. Please note: Group discounts available for select performances and seating sections. Classic Groups are subject to a $12 handling fee and EZ Group orders are each subject to a $2 handling fee. Offer is subject to availability. Pricing and casting are subject to change. All sales are final; no refunds or exchanges. Tickets are for personal use only, not for resale. All patrons, regardless of age, must have their own ticket and occupy a seat and are best enjoyed by children eight and up. No infants, please. Program photos, top to bottom: Sofiane Sylve and Julia Rowe in Forsythe's Pas/Parts 2016 // © Erik Tomasson; Steven McRae and Federico Bonelli in Scarlett's Frankenstein // © 2016 The Royal Opera House, Photo by Bill Cooper; San Francisco Ballet in Tomasson's Swan Lake // © Erik Tomasson; Sarah Van Patten and Luke Ingham in Wheeldon's Within the Golden Hour © // © Erik Tomasson Bring your friends or colleagues to the magnificent War Memorial Opera House for an unforgettable group outing. For Groups of 10 or more save: Tickets start at $28 for triple bill programs and $44 for full-length story ballets.^ BOOK IT YOUR WAY E Z GROUP Do you have an internet-savvy group? A refundable 5% setup fee* gives you a custom-built web page and promo code. Your group can select and pay for their own tickets online. CLASSIC GROUP Prefer to buy a block of tickets? Put 50% down** and take the time you need to establish and shape your group. 20% off select sections Tuesdays through Saturdays 30% off select sections on Fridays ORDER TODAY 415 865 6785 Mon–Fri, 10 am–4 pm s§allet.org/groups groups@s§allet.org 01 THE JOY OF DANCE Triple Bill | Jan 24–Feb 4 This program is quite simply a celebration. You'll see Helgi Tomasson's classical Haffner Symphony; a new work by Czech choreographer Jiří Bubeníček; and Justin Peck's smash hit from last season, In the Countenance of Kings, set to music by Su±an Stevens. 02 MODERN MASTERS Triple Bill | Jan 26–Feb 5 You'll see three modern masters in one program: Ratmansky's pure Seven Sonatas; Yuri Possokhov's new work, Optimistic Tragedy; and Forsythe's evocative and electronic Pas/Parts 2016. 03 FRANKENSTEIN Full-length | North American Premiere | Feb 17–26 Liam Scarlett's darkly beautiful exploration of Mary Shelley's Gothic classic. Frankenstein ‡ is a meditation on what it means to be human. A co-production with The Royal Ballet. 04 MUST-SEE BALANCHINE Triple Bill | Mar 7–18 Thrill to Balanchine's extraordinary genius with three varied and seminal works: Stravinsky Violin Concerto, Prodigal Son, and the glittering Diamonds. 05 CONTEMPORARY VOICES Triple Bill | Mar 9–19 East meets west in Possokhov's moving ballet Fusion. Next is Salome ‡ , the new work by the "David Lynch of dance," Arthur Pita. Closing this program of cutting-edge ballet is Scarlett's sensual Fearful Symmetries. 06 SWAN LAKE Full-length | Mar 31–Apr 12 Following last season's sold-out run, Tomasson's Swan Lake returns. 07 MADE FOR SF BALLET Triple Bill | Apr 5–18 Set to Tchaikovsky's gorgeous Souvenir de Florence, Helgi Tomasson's Trio evokes emotion-laden memories. Then, we present SF Ballet dancer Myles Thatcher's second new work for us. Christopher Wheeldon's inventive and mystical Within the Golden Hour © completes this program of ballet at its best. 08 CINDERELLA © Full-length | Apr 28–May 7 Christopher Wheeldon's Cinderella © –a wildly imaginative and humorous production featuring Prokofiev's powerful score, sets and costumes by Tony Award nominee Julian Crouch, and puppetry by MacArthur Fellow, Basil Twist. SUN MON TUE WED THUR FRI SAT 15 16 17 18 19 GALA 20 21 22 23 24 7:30 01 25 7:30 POV 01 26 7:30 02 27 8:00 MTA 01 28 2:00/8:00 02 29 2:00 MTA 01 30 31 7:30 02 1 7:30 POV 02 2 7:30 01 3 8:00 MTA 02 4 2:00/8:00 01 5 2:00 MTA 02 6 7 8 9 10 11 12 13 14 15 16 17 8:00 MTA 03 18 2:00/8:00 03 19 2:00 MTA 03 20 21 7:30 03 22 7:30 POV 03 23 7:30 03 24 25 8:00 03 26 2:00 MTA 03 27 28 1 2 3 4 5 6 7 7:30 04 8 7:30 POV 04 9 7:30 05 10 8:00 MTA 04 11 2:00/8:00 05 12 2:00 MTA 04 13 14 7:30 05 15 7:30 POV 05 16 7:30 04 17 8:00 MTA 05 18 2:00/8:00 04 19 2:00 MTA 05 20 21 22 23 24 25 26 27 28 29 30 31 8:00 MTA 06 1 2:00/8:00 06 2 2:00 MTA 06 3 4 5 7:30 POV 07 6 7:30 06 7 8:00 MTA 06 8 2:00/8:00 07 9 2:00 MTA 07 10 11 7:30 06 12 7:30 POV 06 13 7:30 07 14 8:00 MTA 07 15 16 17 18 7:30 07 19 20 21 22 22 24 25 26 27 28 8:00 MTA 08 29 2:00/8:00 08 30 2:00 MTA 08 1 2 7:30 08 3 7:30 POV 08 4 7:30 08 5 6 2:00/8:00 08 7 2:00 MTA 08 8 9 10 11 12 13 MAY APRIL MARCH FEBRUARY JANUARY 2017 REPERTORY SEASON CALENDAR POV: Pointes of View Lecture MTA: Meet the Artists Interview Programming and casting subject to change