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Osborne Samuel: Gentle Messiah - Jim Edes Vision

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ALFRED WALLIS (1855-1942) Two ships and steamer past a port- Falmouth and St. Anthony lighthouse, c. 1931 Oil on card Signed lower right Alfred Wallis 26.3 x 40.9 cm (10 ⅜ x 16 ⅛ in) Provenance The Artist Jim Ede Kettle's Yard, University of Cambridge Ede believed passionately in Wallis's paintings. During the Second World War, he told Ben Nicholson: Don't run away with the idea that I want to sell my Wallis's – it was just that I have a good many & felt that I ought to be content with a couple of dozen – but when put to the point of parting with any one – once I see them again I do have doubts that I could. It's the only thing I do still cling to, pictures, & for Wallis I'm a miser 1 Over one hundred of Wallis's paintings and drawings remain at Kettle's Yard. Many of these Ede hung, often two deep, in the library extension. Made using materials that Wallis had to hand, they depict scenes from memory with an immediacy and directness that appealed equally to Ede's artist friends. As Ede described: Wallis knew what it was to be at sea – entirely and totally – his paintings carry with them a ship- feeling, and a land-in-the-distance feeling and a pitching and a tossing and a passing of lighthouses and other ships and a blinding of spray, and a vastness of sky which somehow seems above and below. 2 Upper extension, Kettle's Yard, to the right many of the works by Alfred Wallis are visible. Photograph Paul Allitt, 2011. © Courtesy Kettle's Yard. © Kettle's Yard / Bridgeman 1 Ede, letter to Ben Nicholson [undated], 'Tube Train', Tate Archive, TGA 8717/1/2/886. 2 Ede, A Way of Life, p.214. 98

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