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Issue 62

Monthly newspaper and online publication targeting 18 to 35 year olds. The ultimate guide to the hottest parties, going out and having fun. Music, fashion, film, travel, festivals, technology, comedy, and parties! London, Barcelona, Miami and Ibiza.

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7 7 Issue 62 / 2014 GUESTLIST guestlist.net FRANKIE KNUCKLES WILL NEVER DIE I t is still unknown under which circum- stances Frankie Knuckles, one of the most legendary Djs since the House Genre was invented (by him), has left us brooding over his myth. First hypothesis lead to con- sider the diabetes he had been suffering for a long time the main cause, but that's not what we are really interested about at this point. The man was basically the foun- dor of house music; there's much more to talk about other than his death itself. To so many, he is so much more than that. Frankie started his first steps towards iconic status the moment he teamed up with Nicky Siano and Larry Levan at "Gal- lery" in New York. They were the trio that introduced in clubbing the technique of mixing, even with more than two plates to fill up the gaps with sound effects. They were the first to play a song after another without any interruption - no silence. A whole, constant flow that marked him as a true innovator in house. By 1977 Frankie left his mentors to start his own mission in Chicago, creating history at "Warehouse". This new, undiscovered en- vironment represented a boundless field for his inspiration and to plant the seeds of his experiments. After recovering funk, jazz and souls tracks, he began to edit them with the synth. Old and new were merging, under his hands, to create some- thing that had never been so close to per- fection. What was already great was now becoming magnificent. But it still felt like something different had just been found- ed. And there was no name to call it. So, like an artist paints a picture for all to see, Frankie played his new music for people to dance to, to love and eventually christen "House Music". He once said that clubbers from Warehouse themselves decided on "House Music" as the name for his work. The term was later rapidly used by every club around town to define their genre. Under his influence, the image of the Dj turned into the one of a recognized musi- cian capable of producing art with sound. Not just a guy playing some music on de- mand at a party, not a jukebox but a sculp- tor that uses his tools to shape beauty out of a block. He became what every other DJ after him aspired to be. And that's why for countless music fans the world over, Frankie Knuck- les will never die. 'The Godfather of House' passed away on the 31st of March, but through his music he's an undisputed immortal.

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