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where the next great artists are coming from and where
plays are being produced. "For us to position ourselves
as that [place] is an exciting thing for the theatre to
do." His aim is to do work that will have a long life in
the American theatre canon. "Some shows should start
here," he says, "and then, in a year or two, everyone
will be doing them."
Gathering people together to see the world through
somebody else's eyes and to experience empathy is also
very important to Daniels, who thinks turning off one's
phone and listening to someone's story for two hours is
one of the most radical acts that can happen these days.
"I love to be able to be a revolutionary in that [way]."
Daniels is quick to credit former artistic director
Charles Tower with having built the theatre into one
in which the audience knows the shows will always be
good—full of high-level writing and fantastic acting.
He also readily recognizes the people of Lowell: "This
community has such civic pride around the town and
around the theatre," enthuses Daniels. "By giving them
more information and allowing them to run with it, I
think we can make big things happen here."
MA
Lic#171
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