h+ Magazine

Winter 2009

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71 www.hplusmagazine.com jonathan lethem on p.k. dick, why novels are a weird technology, and constructed realities While mainstream literary figures sometimes praise their fellow writers, rarely do they present themselves publicly as hardcore pop culture fans. Since the publication of his novels Motherless Brooklyn and Fortress of Solitude, as well as his reception of the MacArthur Fellowship in 2005, Jonathan lethem has become a successful and widely-praised author of playful and intelligent literary fictions. He has also become probably the most visible fan and proponent of the science fiction of Philip K. Dick. A few years ago, lethem was commissioned by the august library of America to edit a volume of Dick's writings for the publisher's definitive canon of American letters. The initial volume, Philip K. Dick: Four Novels of the 1960s was the best-selling title out of the gate in the history of the library, and two more lethem-edited volumes of Dick's work followed (Philip K. Dick: Five Novels of the 1960s & 70s and Philip K. Dick: VALIS and Later Novels). lethem began his own writing career drawing heavily from genre fiction, both SF and hard-boiled detective novels. But he avoided getting stuck in what some SF writers refer to as "the golden ghetto," and his later work achieved mainstream recognition for more realistic, psychological, and crisply detailed tales largely rooted in a slightly altered version of the Tri-State area that is his home. His latest book, Chronic City, is a dark and druggy take on Manhattan — an anxious, funny, and disturbingly charming book infused with cannabis, conspiracies, astronauts, nihilistic artists, virtual objects, and pop culture mania. Though very much written in lethem's mature voice, the book is also infused with the spirit of Philip K. Dick, who remains lethem's first and most important influence. eRIK DaVIS PhoToS By FReD BenenSon

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