The digital version of the SXSW Film Program Guide is now available! Log into SXsocial and click on "SXSwag" to find yours today. Packed full of information, this guide is a must-read before leaving home, and a great resource on the ground.
Issue link: http://read.uberflip.com/i/648738
1 4 0 V i s i o n s s x s w. c o m The Alchemist Cookbook Director/ Screenwriter: Joel Potrykus WORLD PREMIERE | USA | 2016 | 82 MIN Young outcast Sean has isolated himself in a trailer in the woods, setting out on alchemic pursuits, with his cat Kaspar as his sole companion. Filled with disdain for authority, he's fled the daily grind and holed up in the wilderness, escaping a society that has no place for him. But when he turns from chemistry to black magic to crack nature's secret, things go awry and he awakens something far more sinister and dangerous. Producers: Bryan Reisberg, Andrew Corkin, Ashley Young, Joel Potrykus , Executive Producers: Daniel Berger, Leigh Jones, Ian Keiser, Julian F. Patterson , DP: Adam J. Minnick , Editor: Joel Potrykus , Music: Brian Harding, Andrew Miller, Tim DeWit , Principal Cast: Ty Hickson, Amari Cheatom, Fiji Sunday, March 13 | 7:00 PM Almo Lmr A Monday, March 14 | 4:15 PM Almo Ritz 1 Wednesday, March 16 | 6:15 PM Almo Lmr B Joel Potrykus American writer/director Joel Potrykus resides in Grand Rapids, MI USA. The Alchemist Cookbook (2016) follows the release of his Cookbook (2016) follows the release of his Cookbook Animal Trilogy – Buzzard (SXSW, 2014), Buzzard (SXSW, 2014), Buzzard Ape (winner of Best Emerging Director – Locarno Film Festival, 2012), and Coyote (2010). Coyote (2010). Coyote Uncorked Productions Andrew D. Corkin andrew@uncorked.nyc American Fable Director/ Screenwriter: Anne Hamilton WORLD PREMIERE | USA | 2016 | 96 MIN American Fable is a fairytale thriller set in the American Fable is a fairytale thriller set in the American Fable 1980s Midwest farm crisis about a courageous girl living in a dark and sometimes magical world. When 11-year-old Gitty discovers that her beloved father is hiding a wealthy man in her family's silo in order to save their struggling farm, she befriends the captive in secret and is forced to choose between saving the man's life and protecting her family from the consequences of their actions. Producers: Kishori Rajan, Anne Hamilton , Executive Producer: Kevin Harrington , DP: Wyatt Garfield , Editor: Amanda Griffin , Music: Gingger Shankar , Principal Cast: Kip Pardue, Peyton Kennedy, Gavin MacIntosh, Rusty Schwimmer, Zuleikha Robinson, Marci Miller, Richard Schiff Sunday, March 13 | 5:30 PM Almo Lmr D Tuesday, March 15 | 9:15 PM Almo Ritz 2 Thursday, March 17 | 8:30 PM Stellite Venue: Almo Slughter Friday, March 18 | 6:15 PM Almo Lmr B Anne Hamilton Anne Hamilton got her start in filmmaking as a year-long intern on Terrence Malick's The Tree of Life. Her first short film as a writer- director, Death Artists, Inc., premiered in the spring of 2013 at the Cannes Film Festival. In the summer of 2013 Anne was selected to be one of eight for the American Film Institute's Directing Workshop for Women. Silo Pictures, LLC kishorirajan@gmail.com Visions fi lmmers re udcious, ris- ting rtists in the new cinem lndscpe who demonstrte rw innovtion nd cretivit in documentr nd nrrtive fi lmming. The Alchemist Cookbook . . . . . . . .140 American Fable . . . . . . . . . . . . . . . .140 Baby Bump . . . . . . . . . . . . . . . . . . . .141 Boone . . . . . . . . . . . . . . . . . . . . . . . . .141 I Am Belfast. . . . . . . . . . . . . . . . . . . .141 In Pursuit of Silence . . . . . . . . . . . .142 Jules and Dolores . . . . . . . . . . . . . .142 Karaoke Crazies . . . . . . . . . . . . . . . .142 Little Sister . . . . . . . . . . . . . . . . . . . .143 LOEV . . . . . . . . . . . . . . . . . . . . . . . . . .143 My Beautiful Broken Brain . . . . . . . . . . . . . . . . . . .143 Operator. . . . . . . . . . . . . . . . . . . . . . .144 Spaceship . . . . . . . . . . . . . . . . . . . . .144 Teenage Cocktail . . . . . . . . . . . . . . .144 Under the Sun . . . . . . . . . . . . . . . . . .145 VISIONS

