The digital version of the SXSW Film Program Guide is now available! Log into SXsocial and click on "SXSwag" to find yours today. Packed full of information, this guide is a must-read before leaving home, and a great resource on the ground.
Issue link: http://read.uberflip.com/i/648738
FILM CONFERENCE 7 9 2 0 1 6 S X S W F I L M P R O G R A M G U I D E M u s i c i n F i l m FILM CONFERENCE FILM CONFERENCE WEDNESDAY 12:30 AUSTIN CONVENTION CENTER ROOM 8C . . . . . . . . . . . . . . . . . . . . . PANEL Festivls on the Big Screen: A Globl Opportunit? With 'alternative content' making big bucks on the cinema screen, can the music festival live stream be the next step in international audience development and PR? Barry Rebo, Direct Cinema North; Lisa Brook, Libve Cinema UK; Marc Allenby, Picturehouse ROOM 12AB . . . . . . . . . . . . . . . . . . . PANEL Televisionries: The Evolution of TV Music Hear from three influential music supervisors on the art of placing music in network, cable, and streaming television series from the past to the present day. Ann Kline, CasaKline; Brice Gilber, Icing Music; Steven Schraf, Carlin America 5:00 ROOM 13AB . . . . . . . . . . . . . . . . . . . PANEL Hev Metl Pring Lot 30th Anniversr On May 31, 1986, Judas Priest fans were filmed in their natural environment, a concert arena parking lot in suburban Maryland. Thirty years later, Heavy Metal Parking Lot is considered among the Parking Lot is considered among the Parking Lot greatest rock and roll documentaries ever recorded. Join filmmakers John Heyn and Jeff Krulik as they discuss the amazing pre-viral video journey of a small rock doc into a definitive cultural touchstone. Jeff Krulick, Heay Metal Parking Lot; John Heay Metal Parking Lot; John Heay Metal Parking Lot; Heyn, Heavy Metal Parking Lot; Todd Rohal, Smits Brothers Partners THURSDAY 12:30 AUSTIN CONVENTION CENTER ROOM 17A . . . . . . . . . . . . . . . . . . . . PANEL Creting Custom Songs for Film, TV, Trilers & Ads "Is my music appropriate for this project?" An important question all too often ignored by artists pitching their music for a film, television show, trailer or commercial. Each of these medias has different creative and technical needs in terms of both production and songwriting. This panel will both cover how to evaluate if your music is "syncable" for various medias, and respectively how to approach creating custom work for each one. Amanda Kreig Thomas, Neophonic; Heather Guibert, Francium; Holley Maher; Josh Collum, Sorted Noice 5:00 ROOM 10C . . . . . . . . . . . . . . . . . . . . PANEL Concerts & Festivls: Television vs Streming With most of the festivals and concerts being broadcasted on-line and on broadcast television somewhere in the world, what is the future? Which is the better experience – or are they both a success for the audience, artists and labels? The panel will include various executives and producers from some of the largest producers of these events – both live and taped. Domenic Cotter, Sound Off; Kim Garner, AEG Live/AXS TV; Marc Scarpa, SimplyNew BALLROOM E . . . . . . . . . . . . . . . . . . . PANEL Covers & Remixes & Customs- All You Need to Know Music Tracks for Film, TV and Advertising: How they're created, how they help business and promoting artists, and how they don't. Anger Mendoza, The AV Squad; Anny Colvin, Vibe Vreative; Bobby Gumm, Trailer Park; Sally House, The Hit House; Shauna Krikorian, MediaHorse FRIDAY 12:30 AUSTIN CONVENTION CENTER ROOM 10C . . . . . . . . . . . . . . . . . . . . PANEL TV Promos: Snc's New Best Friend We will focus on the unique oppertunities offered by placing music on UK and USA television promos-from the pathway to placement to the revenue streams available. Joe Berman, MediaHorse; Mark Gordon, Score Draw Music; Peter Bradbury, Sky; Sanaz Lavaedian, mOcean 3:30 ROOM 12AB . . . . . . . . . . . . . . . . . . . PANEL Austin Cit Limits Unlimited This is a conversation with the producer/ executive producer Terry Lickona of one of longest-running music program on American television. Starting with a look back to the original concept, talk about the shows evolution over its 41 seasons on TV. The importance of recording live performances and the inclusion of "live steaming" as the show is being recorded will be analyzed. Gordon Thomas, Global Village Vidiot; Terry Lickona, Lickona VIsion ROOM 18D . . . . . . . . . . . . . . . . . . . . PANEL Getting Sncs: The Rel Truth from the Insiders Music supervision panels often tell you that they listen to everything. That's obviously not true, so rather than sugar coat things, these industry insiders tell you what they do listen to and why. Danny Esum, Workshop Creative; Jocelyn Brown, Leo Burnett; Make Hansen, The Greater Goods CO; Peter Gannon, Able-Baker 5:00 ROOM 13AB . . . . . . . . . . . . . . . . . . . PANEL I'd Lie to Tech the World: Music Supervise n Ad Ever wanted to music supervise an ad? You pick the song, and our panel of experts (an ad music producer, a creative director and a brand-side client) provides feedback as to why it works (or why not)! Autum Gurgel, Target; Darren Moran, Gotham Bacon; Keith D'Arcy, Songs Music Publishing; Lisa Macpherson; Paul Greco, JWT C O N V E R G E N C E T R A C K MUSIC IN FILM WEDNESDAY, MARCH 16 FRIDAY, MARCH 18 AUSTIN CONVENTION CENTER MUSIC SESSIONS OPEN TO FILM A ND GOLD BA DGE HOLDERS DURING MUSIC CONFERENCE