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Gold and Black Illustrated, Vol 25, Digital 3

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26 ILLUSTRATED VOLUME 25, ISSUE 3 f BY BRIAN NEUBERT BNeubert@GoldandBlack.com I t was overtime and Ryan Cline stepped to the foul line to take shots millions of other kids had tried in vain to put themselves in position to attempt, the ultimate pressure-cooker situation with a national championship hanging in the balance. To add another layer to the scene, he's in Springfield, Mass., where the game was invented and its Hall of Fame located. "It's dead silent," Cline said. "All you could hear was the bounce of the ball. You've got people and kids all around watching you, your family watching, the ref throwing you the ball. Everyone's re- cording." Cline stepped to the foul line, all eyes on him, and achieved perfection in a mettle-testing moment, one in which a championship was won. By the way, Cline was 13 years old, and this was the final round of the Elks National Hoop Shoot national free throw competition back in 2010. Countless kids entered in the 12- to 13-year-old boy's division. It came down to Cline and two others in a five-shot overtime session after all three had gone 23-of-25 in "regulation." One boy made just two of his shots; the other made four. Cline made 'em all. "It was a big stage," recalled Cline, who'd won three other competitions to get to the final. "There was a lot of pres- sure." When pressure hits, one can always fall back on technique, and that's likely what Cline did in those moments. It's what he always does, the Carmel High School star relying so much on the intricate oper- ation that's made him one of the finest shooters in his class nationally, a strikingly consistent jump-shooter who sometimes throws the ball in the basket with such ease, it seems, that it's almost comical. "It's something special," said former Cline AAU teammate and future Purdue teammate Grant Weath- M E N ' S B A S K E T B A L L R E C R U I T I N G MARKSMAN Mechanics, pedigree have made Boilermaker recruit an elite shooter Tom Campbell Ryan Cline has worked tirelessly to perfect his shooting stroke, getting the release over his head and in line with his right eye.

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