SXSW Music 2014 Program Guide
Issue link: http://read.uberflip.com/i/270673
SXSW 2014 Music & Media Conference | 113 MUSIC CONFERENCE WEDNESDAY | CONFERENCE PANELS Wednesday | 12:30 PM continued ROOM 15 From Songs to Scores: Can Songwriters Score Films? Musicians from all backgrounds have scored movies, but that doesn't mean the transition from songwriting to scoring is easy. Understand how to prepare for the vast differences between working on a film or television project and making your own record. Moderator: Brad Shenfeld, Shenfeld Law PC Michael James, Explosions in the Sky Blake Neely, Composer, Blake Neely Productions Erin O'Hara, Composer/Songwriter, Erin O'Hara Music ROOM 8BC Mentor Session 1 See page 101. ROOM 13AB Paul Williams and Crawdaddy! Magazine Paul Williams started Crawdaddy: The Magazine of Rock in January 1966 in his dorm room, a year and a half before Rolling Stone began. Crawdaddy and Paul Williams, who passed away March 2013, were the true Almost Famous story. Can we still find relevance, reference and influence today related to the form of rock journalism Paul Williams founded with Crawdaddy Magazine so many years ago? Moderator: Cindy Lee Berryhill, Artist David Fricke, Sr Writer, Rolling Stone Paula Mejia, Contributing Writer, Spin/Rookie Ann Powers, Critic & Correspondent, NPR Music Ed Ward, Freelance Writer/Broadcaster ROOM 10B Remixing, Mash-Ups and Copyright Law Learn the differences between a "remix", a "mash-up", and a "cover song", and how that will impact what licenses they need to secure for video and audio postings of their creations. Fair use, public domain music, and the creative commons license interplay in these issues. Find out how to get permission from copyright holders and make money from your creations. Moderator: Christiane Kinney, Atty, LeClairRyan Sean Kinney, Music Supervisor/Film Maker, 1 Stooge Entertainment Dean Serlectic, Head of Mktg & Licensing, Music Mastermind Inc ROOM 18ABC SXSW Featured Speaker: Jarvis Cocker Jarvis Cocker presents an illustrated selection of his lyrics detailing his development as a songwriter and provides useful tips for aspiring songsmiths. Cocker was one of the founding members of Sheffield, England-based band Pulpin the late 1970s. The band rose to mainstream prominence in the mid-1990s, with a couple of hit singles and a Mercury Prize-winning album (Different Class). Pulp took a long hiatus beginning in 2002 and reunited in 2011 for several concerts and festival appearances. Jarvis Cocker, Pulp ROOM 12AB Thank You for Letting Us Take Your Money Your music is earning royalties when it's used in streaming and video online, you're just not getting it. Everything they never wanted you to know and more about how to maximize and collect revenue related to streaming music. George Howard, COO/Assoc Professor, Wolfgang's Vault/ Berklee College of Music Jeff Price, Founder/CEO, Audiam Wednesday | 2:00 PM ROOM 15 Beyond The Play Button: Images & Album Credits Artist related images and contextual information about the artist play a critical role in the products of the future and creating value for musicians. Dive into the value proposition of archival and contextual information, best practices for managing large and small libraries of photo and editorial content, and the future of monetizing those assets. Vince Bannon, VP Ent Partnerships & Dev, Getty Images Maureen Droney, Sr Exec Dir | Producers & Engineers Wing, The Recording Academy Bill Wilson, VP, Digital Strategy & Business Dev, Music Business Association ROOM 10B Come on, Get Appy The social aspect of music has been digitalized, and people can easily share songs with their friends via social media or create group playlists with apps. Explore the changes in how people share, discover and consume music thanks to popular music apps, and take a look at how key app developers are leveraging social networks to drive this music revolution. Moderator: Ime Archibong, Strategic Partner Mgr, Facebook Casey Newton, Sr Reporter, The Verge ROOM 17A Internet Radio is on Top Again. Why? From internet radio, to streaming on demand, back to internet radio the cycle has shifted again. Why is this happening now? Explore this curious phenomena. How sustainable will it be? Can we expect a new wave of targeted Internet advertising? Andrew Hampp, Sr Branding Correspondent, Billboard Tim Herbster, VP of Special Programming Projects, Clear Channel Media & Ent, Clear Channel Radio Digital Tommy Page, Head of Music Partnerships , Pandora Daren Tsui, VP, Content & Svcs, Samsung ROOM 8BC Mentor Session 2 See page 101. ROOM 13AB Music Agency of Record Brands have begun appointing music agencies to work alongside the other marketing and ad agencies in the mix. Learn what these agencies do, why major brands demand their services, and how ad agencies lost leadership in the music/brand space. Gain insight to a future when music is planned, bought, created and activated by specialist music agencies. Daniel Jackson, CEO, Cord Worldwide Ltd Nils Leonard, Exec Creative Dir, Grey London Eric Sheinkop, CEO, Music Dealers ROOM 10C Music Supervisor Pitch Session 1 See page 101. ROOM 18ABC SXSW Interview: Sean "Diddy" Combs Sean "Diddy" Combs, Grammy Award-winning rapper and entrepreneur discusses his career, Revolt TV, and more. Born and raised in New York, Combs founded Bad Boy Records in 1993, notably bringing Notorious B.I.G. to fame. Apart from his music, Combs is also involved in a number of business ventures, including the recently launched Revolt TV. Described as "MTV for Millennials," Revolt is a new multi-platform music channel focused on delivering a place for people to discover and share music across television, the web, and social media. Sean Combs, Pres, Bad Boy Entertainment ROOM 16AB SXSW Interview: St. Vincent St. Vincent aka Annie Clark sits down with Ann Powers of NPR Music for a SXSW Interview. With lyrical topics ranging from a creation myth to digital identity, the new record "St. Vincent" continues Clark's burst of activity which began with 2011's 'Strange Mercy' and the collaboration with David Byrne, 'Love This Giant.' Speaking of the musical approach this time around, she says, "I wanted to make a party record you could play at a funeral." St. Vincent Ann Powers, NPR AUSTIN SUITE SXSW V2V Music Biz Meet Up SXSW V2V brings together entrepreneurs from all the creative industries that SXSW serves, including the music business. Join the SXSW V2V team and music industry / tech entrepreneurs at the SXSW V2V Music Meet Up. ARTIST CENTRAL IN BALLROOM E The Art of the Crossfade See page 96-97. ROOM 10A The Digital Music Performance Royalty Apocalypse Learn about the complex web of music licensing issues facing digital music services, the history of those services and recent developments threatening to drive digital music royalty costs even higher in 2014 and beyond. Gain insight into the problems created by the divergent business goals of musical content owners and digital music services, and possible solutions to those problems. Paul Fakler, Partner, Arent Fox LLP